Blue Planet III在AI时代保持了粗糙的边缘

英国广播公司的"蓝色星球III"希望通过投出不完美的镜头来证明它的真实性。 之前的自然系列的化身是由它们华丽而清晰的镜头所定义的，这些镜头看起来几乎太好，无法真实。 但人工智能的亡命之所是当事情看起来太光滑和无缝。 为了反驳这一点，"蓝色星球三"会变得尖锐

Blue Planet III在AI时代保持了粗糙的边缘

英国广播公司的"蓝色星球三号"(BBC Blue Planet III)正在拍摄

执行制片人Elizabeth White过去曾告诉"卫报","浮游生物等"浮游于水中会让他们被割去一枪。 或“我们可能布置出一艘船或浮标，相反，这次他们把海洋全部放进去，展示出一个更真实的有机海洋。

系列以海绵插入洞口来捕取鱼的海豚的不可思议的展示，物种间鱼类的交流，20万只螃蟹排入成型来取食。 White 称认为真正的海洋生物“可能比AI想象的更出众。”

本文由 AI宝库自动抓取并翻译，版权归原作者所有；如需查看原文请点下方链接。

BBC’s Blue Planet III is looking to prove its authenticity by leaving in the less-than-perfect shots. Previous incarnations of the nature series were defined by their gorgeous, crystal-clear footage that seemed almost too good to be real. But one dead giveaway of AI is when things look too polished and seamless. To counter that, Blue Planet III goes warts and all.

Blue Planet III is keeping the rough edges in the age of AI

BBC’s Blue Planet III is keeping in shots that would normally end up on the cutting room floor to prove it’s real.

Executive Producer Elizabeth White told The Guardian in the past, “the amount of plankton and things” floating in the water would have caused them to cut a shot. Or “we might have framed out a boat or a buoy or gone: ‘Oh, actually … the water conditions are not really good enough for this.’” Instead, this time they’re leaving it all in to show a more authentic, organic version of the oceans.

The series features incredible displays of dolphins trapping fish by plugging holes with sea sponges, inter-species fish communication, and 200,000 crabs lining up in formation to feed. White says that real ocean creatures “are probably more remarkable than AI could imagine.”

Auto-fetched and translated by AI Gem Box. All rights belong to the original author.